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国内拍卖首页 > Galerie Zacke > 亚洲艺术集珍 - 第一天 > Lot 0273
A WOOD ANCESTOR ALTAR PANEL, DARO NDRA AMA, BAWOMATALUO, SOUTH NIAS ISLAND, LATE 19TH TO MID-20TH
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04月16日 下午5点 开拍 /14天2小时
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A WOOD ANCESTOR ALTAR PANEL, DARO NDRA AMA, BAWOMATALUO, SOUTH NIAS ISLAND, LATE 19TH TO MID-20TH CENTURYIndonesia. Meticulously carved in relief, the rectangular panel depicting an ancestral figure (adu), seated and wearing the tall golden crown (takula ana'a) reserved exclusively for high-ranking figures, flanked by tall headdresses made of gold branches once worn by priestesses and noblewomen, above a stylized buffalo head. The bottom register with saita motifs, earrings, a small jewelry box, and a twisted necklace (nifatali).Provenance: From the private collection of Jacques Cortecero, acquired in 1974 in the village of Bawomataluo in the south of Nias Island, Indonesia, and kept in the collection ever since. Thence by descent in the family. Jacques Cortecero was a passionate collector, adventurer, and avid traveler whose deep connection to the Indonesian archipelago spanned over two decades. His first journey in the early 1970s marked the beginning of an extensive exploration, returning to the archipelago on numerous occasions until his final expedition in 1995. Throughout these travels, Cortecero journeyed from the swampy forests of Borneo to the central plateau of Java, immersing himself in diverse cultures. He ventured from the headhunter warriors of Nias Island to the Asmat people of the Casuarina Coast, and from the Batak shamans of Lake Toba in northern Sumatra to the Dayak tribes. For Cortecero, his collection was far more than a curated selection of art—it embodied the essence of his life's journey. Each piece represented a profound connection to the cultures, traditions, and stories of the Indonesian people, where art is deeply interwoven into the fabric of social, spiritual, and cultural identity. His collection, reflecting decades of exploration and passion, is a testament to an extraordinary life and a unique narrative in the world of Indonesian art.Condition: Very good condition with minor old wear, natural age cracks, splinters, and small chips to the edges. The wood overall with an exceptionally fine, lustrous patina which as naturally grown to an elegant gold-brown tone.Weight: 4.8 kg Dimensions: Size 51 x 29 cmMasterfully carved, this Nias panel is a striking fusion of symbolic figures and intricate motifs. The saita motifs—with their spiraling, interwoven patterns—frame the central composition, imbuing the piece with rhythm and movement. Dominating the carving is a stylized buffalo head, a rare and potent symbol, intricately woven into the design. Its horns and features blend seamlessly with the surrounding patterns, underscoring the buffalo's deep cultural significance. At the heart of the panel sits a revered ancestral figure, its exaggerated features emphasizing the importance of lineage and status. Flanking the figure are the female headdresses, crafted from gold branches and symbolizing high rank, adding further depth to the work's meaning. The monoxylous construction showcases remarkable craftsmanship, with every detail carved from a single piece of wood, embodying the spiritual and social interconnectedness of the Nias people. Far beyond a decorative object, this piece is a powerful representation of ancestral reverence, serving as a vital connection between the living and their forebears.Nias is the name of the largest island within a small archipelago of the same name that lies some 150 kilometers off the west coast of Northern Sumatra. Until the consolidation of Dutch rule in the early 20th century, Nias was home to one of the Indonesian archipelago's most vibrant aristocratic warrior cultures. The Isle of Nias can be roughly divided into three culturally distinct zones; north, south, and central Nias. Each region has a distinctive dialect, architectural style, and aesthetic variations. In central Nias, all traditional villages were built on hilly redoubts in the interior of the island. To the south, villages are dominated by great, tall houses (omo sebua) of powerful chieftains. These elaborate and imposing edifices extolled the status of aristocrats in a highly stratified society. Constructed on massive ironwood and teak pilings, a chiefly dwelling served as a defensive keep that housed an extended clan.Literature comparison: Compare two closely related wood ancestor altar panels illustrated in Nias. Tribal Treasures, Volkenkundig Museum Nusantara, 1990, p. 258 and 260, nos. 134 and 139.Auction result comparison: Type: Closely relatedAuction: Sotheby's Paris, 11 December 2013, lot 65Price: EUR 18,750 or approx. EUR 23,000 converted and adjusted for inflation at the time of writing: Altar panel, Nias Island, IndonesiaExpert remark: Compare the related modeling and similar seated figure. Note the size (59 x 33.5 cm).Auction result comparison: Type: Closely relatedAuction: Sotheby's Paris, 2 December 2015, lot 38Price: EUR 10,000 or approx. EUR 12,000 adjusted for inflation at the time of writing: Altar panel, Nias Island, IndonesiaExpert remark: Compare the related modeling and decoration in relief. Note the size (65 x 36.5 cm).

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