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A DARK-BROWN GLAZED STONEWARE ‘BEAR’ LIME POT, ANGKOR PERIOD
奥地利
09月12日 下午5点 开拍 / 09月10日 下午3点 截止委托
拍品描述

Description

A DARK-BROWN GLAZED STONEWARE ‘BEAR’ LIME POT, ANGKOR PERIOD

Khmer Empire, 11th-13th century. The ovoid vessel, supported on a flat foot and rising to a small circular mouth, modeled in the form of a whimsical bear, seated on its haunches with the legs subtly carved and held together in front of its body, the back with a coiled tail rising closely along the spine. The anthropomorphic head of the animal, adorned around the neck with a collar of raised rectangular beads, distinguished by bulging eyes, an aquiline nose, and a slightly open mouth revealing sharp fangs, all surmounted by a pair of upright ears. The back of the head boldly incised to suggest fur of the animal. The jar covered in an opaque dark brown glaze stopping unevenly around the base, exposing the buff-colored ware beneath.

Provenance: Private collection of A. Hansen, Denmark. Mr. Hansen (b. 1955) is a retired Danish Supreme Court lawyer and lifelong collector with a deep passion for history and culture. His collecting journey began at the age of eight with stamps, encouraged by his father, and quickly developed into a serious pursuit. By 1982, his specialized collection of Greenland postal history earned international recognition. Following this success, Mr. Hansen turned his focus to fine art and antiquities, beginning with Danish art and later expanding into East and Southeast Asian artifacts after an inspiring Japanese exhibition in 1985. Over the following decades, his collection grew to include mostly ceramic artworks from Annam, Khmer, Burmese, and Thai origins, acquired through reputable collectors and auction houses.
Condition: Good condition with old wear and firing irregularities, signs of oxidation and fine craquelure to the glaze, light scratches, one small chip to one of the ears of the animal, some areas with soil encrustation, and minor fritting to the foot of the vessel.

Weight: 415.0 g
Dimensions: Height 14.4 cm

By the late 6th or early 7th century, Khmer potters adopted the potter’s wheel, greatly improving vessel production. A Khmer inscription from 674 even compares the act of creation to the turning of the wheel. Early ceramics were occasionally decorated with slip and pigment, a practice largely abandoned after 800 AD with the rise of glazed stoneware.

The first glazed ceramics in Southeast Asia outside of direct Chinese influence appeared under Khmer kings Indravarman I and Yasovarman I (ca. 880–940). By the 11th century, Khmer wares featured refined, gray-toned clay and the introduction of zoomorphic motifs, such as the stylized rat on the present vessel. After 1100, animal-shaped containers often displayed applied moldings, incised patterns, and glossy brown glazes, with gourd-shaped forms becoming especially popular.

Khmer potters made animal-shaped containers and lidded small jars to be used for holding lime paste, one of the ingredients in the betel quid. Made from areca nut and lime paste wrapped in a fresh betel leaf, the betel quid was chewed as a digestive and stimulant but also had an important role in hospitality and in social and religious rituals. Pottery containers for lime paste were made in graduated sizes, for use by individuals or larger groups, and glazed with both green and brown glazes.

Literature comparison:
Compare a related brown-black glazed lime pot in the form of a smiling cat, Khmer Empire (present-day Cambodia), dated 1100-1300, 12.0 cm high, in the Art Gallery of South Australia, Adelaide, accession number 783C25 (a&b), and illustrated in: Dick Richards (ed.), South-East Asian Ceramics: Thai, Vietnamese, and Khmer from the Collection of the Art Gallery of South Australia, 1995, p. 172, no. 133 (center).

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价格信息

拍品估价:500 - 1,000 欧元 起拍价格:500 欧元  买家佣金: 35.00%

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