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TSUKIOKA YOSHITOSHI: YOTSUYA GHOST STORY
奥地利
06月13日 下午4点 开拍 / 06月11日 下午3点 截止委托
拍品描述
TSUKIOKA YOSHITOSHI: YOTSUYA GHOST STORYBy Tsukioka Yoshitoshi (1839-1892), signed Yoshitoshi with seal YoshitoshiJapan, dated 1892Color woodblock print on paper. Vertical oban. Signed Yoshitoshi with seal Yoshitoshi; publisher Sasaki Toyokichi. Title Yotsuya kaidan (Yotsuya ghost story), from the series Shinken sanjuroku kaisen (Thirty-Six New Forms of Ghosts).Ostensibly tranquil, this scene shows Oiwa feeding her infant.SIZE of the sheet 37 x 25.5 cmCondition: Very good condition with minor wear and slight browning of paper. The outer edge with some creasing and foxing.Shortly after breastfeeding her infant, Oiwa was poisoned by her neighbor Oume who coveted Oiwa’s husband, Iemon. When the poison made Oiwa hideous, cruel Iemon could not stand to look at her and his behaviour drove Oiwa to suicide. A servant chastised Iemon for his abuse of Oiwa and Iemon murdered him. He nailed them both to a plank which he threw in the river. Iemon then married Oume, but when he lifted her wedding hood it was Oiwa’s face he saw. He then murdered his new bride and her father, who he mistook for the dead servant. He later drowned himself.?Yoshitoshi's last woodblock series, Thirty-Six New Forms of Ghosts, draws on an array of supernatural tales from both China and Japan. The images depict the weird, wonderful, and sinister ghost stories that were widely told among the Japanese population. Interestingly, this series was produced at a time when the Meiji government actively discouraged anything that contradicted Western science and rationality, leading some critics to regard this series as a criticism of the government's new ideology.Ghost stories have long been a rich source of subject for kabuki plays and Noh, which in turn would inspire ukiyo-e artists in their print making. Several of the subjects for the Thirty-six Ghosts were taken directly from Noh.Tsukioka Yoshitoshi (1839-1892) was one of the leading woodblock print artists during the Meiji era (1868-1912) and one of the last to work in the traditional ukiyo-e manner. Born in Edo (today’s Tokyo), he showed a strong interest in classical Japanese literature and history. When he was 11, he became a student at Kuniyoshi Utagawa’s studio. Under his teacher’s guidance, he showed exquisite draftsmanship skills and learned how to draw from life, something not necessarily part of the training schools of painting and illustration in Japan.Museum comparison:A closely related print is in the Art Gallery of New South Wales, accession number 5.2019.2.

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拍品估价:500 - 1,000 欧元 起拍价格:500 欧元  买家佣金: 35.00%

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