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A YAOZHOU CARVED CELADON 'LOTUS' JAR, NORTHERN SONG DYNASTY
奥地利 北京时间
04月10日 下午5点 开拍 /5天3小时
拍品描述
China, 960-1127. The tapering, bulbous body set with a short neck above two raised ribs, supported on a splayed foot, and well carved with large lotus blossoms issuing from leafy tendrils. The jar is covered in a glaze of a soft olive-green tone suffused with small bubbles.Provenance: The E & J Frankel Collection, no. 2402 (label to base), New York, 2004. The Betty Eisler Collection, New York, acquired from the above and thence by descent. The base with an old label inscribed with the original purchase price, USD 8,500 or approx. EUR 14,000 (converted and adjusted for inflation at the time of writing). A copy of the original signed invoice from E & J Frankel, dated 7 March 2004, addressed to Betty Eisler, confirming the dating above, and stating a reduced purchase price for the present lot of USD 6,800 or approx. EUR 11,000 (converted and adjusted for inflation at the time of writing) accompanies this lot. E & J Frankel was a major New York gallery specializing in Asian Art since 1967. Run by Edith (1939-2012) and Joel Frankel (1937-2018), it was one of the oldest galleries in the United States focusing exclusively on Asian art. Leaders in their field, the Frankels traveled the world in search of Asian art treasures and educated the general public about their shared passion. Their gallery on Madison Avenue in New York City became a local institution, best known for its regular schedule of innovative thematic exhibitions, and frequently visited by the biggest names in the field, such as Eskenazi, Ellsworth, Junkunc, and the Alsdorfs. Betty Ellen Eisler (1926-2023) was a proud-and-loud lifetime New Yorker and longtime fashion merchandising executive. After attending the Tobe-Coburn School for Fashion Careers, she worked for 35 years as a national buyer and merchandise manager. After she retired in 1989, she helped her cousin Harold Gottesman with his Manhattan Mini Storage business, where she developed and ran the collection process. She was an avid collector of antique Chinese ceramics and loved to travel. Pieces from her collection are now in the Metropolitan Museum of Art. Condition: Very good condition with minor wear, and an old shallow chip to the foot ring.Weight: 324gDimensions: Diameter 11.8 cm, Height 8.9 cmThis jar is an example of the Yaozhou wares typical of the Northern Song dynasty. While the wares produced at the Yaozhou kiln complex enjoyed popularity from the end of the Tang through to the beginning of the Yuan dynasty, this vase exhibits the olive green glaze and carved floral designs common to the Yaozhou wares of the Northern Song period.The beautiful floral motif featured on this jar began with a smooth body, partially dried (or 'leather hard'). Using an angled tool, the floral pattern was carved out of the surface in sloping grooves. The celadon glaze was then applied to this uneven surface, pooling in the crevices and laying thinly on raised areas. Through firing, the pooled up areas grew darker in color, and the thinly glazed areas more transparent, creating illusion of light and shadows on the surface of this jar.Literature comparison:Compare a closely related jar, dated to the Song dynasty, 8.9 cm wide, in the Asian Art Museum of San Francisco, object number B60P362. Compare a closely related jar, dated to the 12th century, 10.8 cm high, in the Victoria & Albert Museum, accession number CIRC.71-1935, and illustrated by Rose Kerr, Song Dynasty Ceramics, 2004, p. 55, no. 50. Compare a closely related jar, dated to the Song dynasty, 9.7 cm high, in the National Museum of Korea, collection number 4519.Auction result comparison:Type: Closely relatedAuction: Sotheby's London, 11 May 2016, lot 14Price: GBP 10,625 or approx. EUR 19,000 converted and adjusted for inflation at the time of writing: A 'Yaozhou' carved jar, Song dynastyExpert remark: Compare the related form, glaze, and decoration.
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拍品估价:1,500 - 3,000 欧元 起拍价格:1,500 欧元  买家佣金: 35.00% 服务费:本专场服务费按成交价(含佣金)的1.5%收取,最低200元

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