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A PINK SANDSTONE RELIEF DEPICTING AMOROUS COUPLES, MITHUNA, CHANDELA PERIOD, 10TH-11TH CENTURY
奥地利
04月10日 下午5点 开拍
拍品描述
A PINK SANDSTONE RELIEF DEPICTING AMOROUS COUPLES, MITHUNA, CHANDELA PERIOD, 10TH-11TH CENTURYCentral India, Madhya Pradesh. Finely carved to depict a couple in a passionate embrace, the man seated on a short stool as a woman sits astride him, gently caressing his head as he pulls her closer. The upper register similarly worked to depict another couple in union, the woman straddling her recumbent partner, while a third figure watches intently as he stimulates himself. Provenance: RR Collection, Belgium, acquired in the 1970s-1980s by the father of the previous owner and thence by direct descent. A provenance statement by the previous owner, confirming the above and revealing the collector's identity, will be provided to the winning bidder after full payment has been received. Condition: Good condition, commensurate with age. Extensive wear, signs of weathering and erosion, encrustations, obvious losses, chips, scattered nicks and scratches. Remnants of varnish and minor stains.Weight: 40 kg (incl. stand) Dimensions: Height 67 cm (excl. stand), 68.5 cm (incl. stand)With an associated metal stand. (2)A Hindu temple was often envisioned as the world's central axis, in the form of a mountain inhabited by a god. The temple itself was therefore worshiped. This was done by circumambulation (walking around the exterior, in this case in a counterclockwise direction) and by viewing its small inner sanctum. The outside of the temple was usually covered with myriad reliefs: some portrayed aspects of the god within or related deities; others represented the mountain's mythological inhabitants. From early times, iconic representations of deities and holy figures were augmented by auspicious images, such as beautiful women, musicians, and loving couples (mithunas).The temples of Khajuraho are known for the harmonious integration of sculptures with their architecture. All surfaces are profusely carved with anthropomorphic and non-anthropomorphic motifs depicting sacred and secular themes. Sculptures depicting acts of worship, clan and minor deities, and couples in union, all reflect the sacred belief system. Other themes mirror social life through depictions of domestic scenes, teachers and disciples, dancers and musicians, and amorous couples. It's noteworthy that while these erotic sculptures are prominent, they constitute less than 10% of the temple's artwork. The Chandela dynasty became a great power in Central and Northern India during the 10th century. Thereafter successive rulers built magnificent temples at Khajuraho and elsewhere in their realm, to commemorate their military victories. As their influence expanded, their exquisite architectural style became admired across much of India, as indeed, it is now around the world. Chandella kings commissioned some of the finest temples in India. The best known of these today are in Khajuraho, Madhya Pradesh, now a village but once the Chandella capital. Other temples, no longer standing, were located throughout their realm. Literature comparison:Compare a closely related sandstone architectural fragment of two lovers dated to the 10th century, 54 cm high, in the British Museum, registration number 1964,0413.1.

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拍品估价:4,000 - 8,000 欧元 起拍价格:4,000 欧元  买家佣金: 35.00%

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