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国内拍卖首页 > Lauren Gallery > 精美艺术品和古董（二） > Lot 412

1956 LI KERAN 李可染 RIVER VILLAGE SCROLL PAINTING

佐治亚

2024年12月14日开拍

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拍品描述: Description
Artist: Li Keran 李可染 (1907 - 1989) Sails in the River Mountainous Ink and color on paper, Ersebiao matted, Calligraphy panel on top, with Double Jigyan, Vertical Axis Hanging Scroll Painting (Sight): 80cm x 95cm Dated: 1956 Signed/Seal(s): Signed, with Eight seals
Artist or Maker
Keran Li
Date
20th C
Condition Report
Over all in EXCELLENT Condition. Natural imperfection on the medium (paper or silk), regardless from any major damages; includes light blooms, discoloration and minor fading. Consider normal due to the ages. Frame with normal anomalies in nature, sign of stressed surface, minor scratch & dents. Surface traced wear and or declined to gilding. Normal, consider ages and wear. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. Any condition statement is given as a courtesy to a client, and is only an opinion and should not be treated as a statement of fact. LAUREN Auctions Galleries shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.
Provenance
Provenance: Acquired from a prominent collector, representing an important private collections. Li Daichen 李待琛, Li Daishen (28 September 1891 - 15 November 1959) courtesy name Boqin 伯芹 and pseudonym Caichi 采池, was a Chinese educator and military officer.
Li was born in Daqiao Town of Hengshan County, Hunan, on September 28, 1891. His father, Li Yinqiu 李吟秋, was a local official. In 1906, he went to study at Hongwen Academy with his father, in Japan. In 1908, he returned to China after graduation. During the Wuchang Uprising, he was an ordnance officer at the Tongmenghui army. In the autumn of 1912, he went to study in Japan again, where he was educated at the University of Tokyo, he earned his Bachelor of Engineering in 1919, by age 29. He became the chief engineer of Guangdong Arsenal in 1920. One year later, he was appointed chief engineer of Hunan Iron Factory. He received his Doctor of Metallurgy from Harvard University in 1923. He was President of Hunan University in February 1926, and held that office until July 1926. In 1927, he served as Director of the Political Department of the 40th Army of the National Revolutionary Army. At the same year, he was an engineer of Shanghai Arsenal. In 1928, he was promoted to the rank of Major General. And he was awarded Order of the Cloud and Banner in 1935, at the age of 45. In 1937, during the Second Sino-Japanese War, he was made a Lieutenant General. On August 28, 1945, he attended the Chongqing negotiation and visited the Communist leader Mao Zedong. In 1946, he was appointed the Deputy Head of the Chinese Mission to Japan, and one year later, the Chinese Representative to Japan. After the founding of the Communist state, he moved to Japan. Li died of heart disease in Kaohsiung, Taiwan, on November 15, 1959. http://www.LaurenAuctions.com/LiDaiChen/ The collections presented and offered up to auctions: ON DAY - 1: From Lot - 37 through Lot - 132. ON DAY - 2: from Lot - 387 through Lot - 476.
Notes
Li Keran 李可染 (1907 - 1989) was a renowned contemporary Chinese painter. He was born on March 26, 1907 in Xuzhou, Jiangsu Province, as Li Yongshun, alias Sanqi (died December 5, 1989, Beijing) painter and art educator who was a prominent figure in 20th-century Chinese art. He developed a personal style of landscape painting that was based upon the emulation of both ancient and contemporary masters. Li showed a gift for painting, calligraphy, and music as a child. When he was 13, he began to study landscape painting with a local painter. In 1923 he entered the Shanghai Art College, studying both traditional Chinese painting and Western art. It was during this period that Li attended three lectures given by Kang Youwei, who advocated learning from both Song academic painting and from the realistic tradition of the European Renaissance. Kang's ideal of merging Eastern and Western art to create a new century in Chinese painting inspired Li greatly and became his lifelong pursuit. In the spring of 1929, Li was admitted as a postgraduate student at the Hangzhou National Art College, where he studied drawing and oil painting under the French teacher Andre Claoudit. During this period he developed a kind of abstract and structural style in his oil painting that showed the influence of German Expressionism. In 1932 he became a member of a leftist art organization, the Yiba Art Society. That same year he left school and returned to Xuzhou, where he had his first one-person exhibition. From 1934 Li began to experiment with figure painting in ink and wash. During the period after the Sino-Japanese War, he began to paint cowboys and water buffalo, endowing this traditional subject matter with new significance by his use of an innovative technique of splashed ink. Appreciation of his work, especially his figure paintings, grew, and in 1946 he accepted an invitation by Xu Beihong to join the faculty of the Beijing National Art College. There the masters Qi Baishi and Huang Binhong became his mentors. Qi, fond of Li and his painting, applauded him as the most important painter in the post-Qianlong-JiaQing period. After 1954 Li spent much time sketching from nature, claiming that drawing was the first step towards a reformation of Chinese painting. While he emulated ancient Chinese calligraphic traditions, his rigorous training in oil painting also taught him to apply Western elements, such as chiaroscuro, to his work. He is thus remembered as neither a traditionalist nor a reformist, but rather as a pioneer who blended these two trends in 20th-century Chinese art. In his later years, Li attracted many students and followers, who formed the Li School of the 1980s.
---以下为第三方软件翻译，仅供参考---

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