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A FINE KO-IMARI BOTTLE VASE
奥地利 北京时间
12月06日 下午5点 开拍 / 12月04日 下午3点 截止委托
拍品描述
A FINE KO-IMARI BOTTLE VASE

Japan, late 17th century, Edo period (1615-1868)

Finely potted with a slender ovoid body supported on a short broad foot and rising to a tall cylindrical neck, the body neatly painted in iron-red, green, aubergine, and black to depict sprays of peony and chrysanthemum separated by fans with floral motifs, the neck with iron-red leafy scrolling vines.

HEIGHT 27.7 cm

Condition: Good condition with minor wear and firing irregularities including small pits and dark spots as well as a firing crack to the neck, the shoulder with a fine and short hairline at the shoulder.
Provenance: Mathias Komor, Fine Arts & Antiques, New York, no. C968. Three old labels ‘Mathias Komor Works of Art, C 968, Imari, New York’, ‘1132’, and ‘CAM 41 1132’ to the base. Ex-collection James and Marilyn Alsdorf, acquired from the above. A description from the Alsdorf Collection, dating the piece to the late 17th century, and with the inventory number ‘1132’, accompanies the lot. Mathias Komor (1909-1984) was a New York based art dealer and collector who was active from 1930 until his death in 1984. His collection documents objects that passed through the Komor Gallery including pieces from Classical, Egyptian, African, Meso-America, and Chinese antiques and art amongst many others. Much of this material is now in public and private collections in the United States. The Komor archive is comprised of photographs of objects and some miscellaneous archival and ephemeral material. James and Marilynn Alsdorf got married in 1952 and built a life that was centered on art, philanthropy and family. Studying and collecting art was their all-consuming passion, and it took them all over the world. Their spirit of adventure was unique; they went places that few collectors at the time were curious and confident enough to explore. As their interests diversified, so did their collection. ‘They were not strategic in their collecting,’ recalls Bridget Alsdorf, the couple’s granddaughter. ‘They were guided by what fascinated them and gave them pleasure, by knowledge and instinct. They were an incredible team.’ As well as being great collectors, the Alsdorfs were loyal supporters of museums and cultural institutions across Chicago and the wider United States, including the National Gallery of Art in Washington, D.C., the Leigh Block Museum of Art at Northwestern University and the Art Institute of Chicago. James Alsdorf served as Chairman of the AIC from 1975 to 1978, and Marilynn sat on various committees. In 1967, the Alsdorfs joined other prominent Chicago collectors, including, Edwin and Lindy Bergman and Robert and Beatrice Mayer, in founding the Museum of Contemporary Art Chicago, an institution to which they would provide extensive financial and personal leadership. After James’s passing in 1990, Marilynn, who was known as ‘the queen of the Chicago arts community’, continued to build upon her husband’s legacy in art and philanthropy, making a transformative bequest to the AIC in 1997, and funding a curatorial position in Indian and Southeast Asian Art at the AIC in 2006.

Auction comparison:
Compare a related Ko-Imari vase, dated to the late 17th century, at Christie’s, Japanese Art and Design, 12 May 2010, London, lot 313 (sold for GBP 3,750).

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拍品估价:2,000 - 4,000 欧元 起拍价格:2,000 欧元  买家佣金: 35.00% 服务费:平台服务费为成交总金额(含佣金)的3%,最低200元

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