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A RARE GLAZED STONEWARE NASUBI-FORM VASE
奥地利 北京时间
12月06日 下午5点 开拍 / 12月04日 下午3点 截止委托
拍品描述
A RARE GLAZED STONEWARE NASUBI-FORM VASE

Japan, Edo period (1615-1868)

Well potted in imitation of a nasubi (eggplant), the globular body supported on a flat foot and rising to a long, thin neck, with a dark brown slip, generously applied with mottled splashes of lustrous black, cream, and brown glazes, and the shoulder with a pinched fin to one side and a circular boss to the other.

HEIGHT 17.6 cm

Condition: Very good condition with minor wear and a fine star-crack to the body, only visible under blue light.
Provenance: The James and Marilynn Alsdorf Collection, Chicago, Illinois. The base with an old Christie’s label inscribed ‘MA J361’. James and Marilynn Alsdorf got married in 1952 and built a life that was centered on art, philanthropy and family. Studying and collecting art was their all-consuming passion, and it took them all over the world. Their spirit of adventure was unique; they went places that few collectors at the time were curious and confident enough to explore. As their interests diversified, so did their collection. ‘They were not strategic in their collecting,’ recalls Bridget Alsdorf, the couple’s granddaughter. ‘They were guided by what fascinated them and gave them pleasure, by knowledge and instinct. They were an incredible team.’ As well as being great collectors, the Alsdorfs were loyal supporters of museums and cultural institutions across Chicago and the wider United States, including the National Gallery of Art in Washington, D.C., the Leigh Block Museum of Art at Northwestern University and the Art Institute of Chicago. James Alsdorf served as Chairman of the AIC from 1975 to 1978, and Marilynn sat on various committees. In 1967, the Alsdorfs joined other prominent Chicago collectors, including, Edwin and Lindy Bergman and Robert and Beatrice Mayer, in founding the Museum of Contemporary Art Chicago, an institution to which they would provide extensive financial and personal leadership. After James’s passing in 1990, Marilynn, who was known as ‘the queen of the Chicago arts community’, continued to build upon her husband’s legacy in art and philanthropy, making a transformative bequest to the AIC in 1997, and funding a curatorial position in Indian and Southeast Asian Art at the AIC in 2006.

Museum comparison:
Compare a related earlier sake bottle with a similar glaze, Shodai ware, dated mid-17th century, 21.9 cm high, object number 32-59/5.

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拍品估价:1,000 - 2,000 欧元 起拍价格:1,000 欧元  买家佣金: 35.00% 服务费:平台服务费为成交总金额(含佣金)的3%,最低200元

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