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SHIBATA ZESHIN: A MASTERFUL ‘TROMPE L’OEIL’ LACQUERED WOOD TSUBA
奥地利 北京时间
12月06日 下午5点 开拍 / 12月04日 下午3点 截止委托
拍品描述
SHIBATA ZESHIN: A MASTERFUL ‘TROMPE L’OEIL’ LACQUERED WOOD TSUBA

By Shibata Zeshin (1807-1891), signed Zeshin 是真
Japan, Tokyo, late 19th century, Meiji period (1868-1912)

Of aorigata form, superbly lacquered in dark brown lacquer to simulate a rough iron metal ground (tetsusabi-nuri), subtly worked in takamaki-e to depict a continuous barren winter landscape with a lone swallow perched on a thin withering twig of a gnarled willow tree, continuing onto the reverse where a willow shoot slightly dips into a meandering stream. The reverse with the incised signature ZESHIN.

HEIGHT 7.1 cm, LENGTH 6.3 cm
WEIGHT 13.8 g

Condition: Excellent condition with minor wear.
Provenance: Ex-collection Edward Wrangham (no.1070). ?Bonhams, The Edward Wrangham Collection of Japanese Art Part II, 10 May 2011, London, lot 359 (sold for GBP 25,200). A noted private collection, acquired from the above. Edward A. ‘Ted’ Wrangham (1928-2009) formed one of the most important collections of Japanese Art in modern times. His reference book ‘The Index of Inro Artists’ (1995) is considered one of the most important English-language studies on Japanese lacquer ever published.

With a modern presentation stand.

Shibata Zeshin (1807-1891) was a Japanese painter, lacquer artist, and printmaker of the late Edo period to early Meiji era. He has been called ‘Japan's greatest lacquerer.’ His works, unlike the oils being used by so many of his contemporaries, never need re-touching and never faded. He was a master of emulating oil or ink painting with lacquer and combined groundbreaking techniques with traditional subjects. His studio was situated on the bank of a river, providing him with ample opportunity to observe nature, and the creatures that inhabited the natural world. Like many painters of the 19th century, he was eclectic in his sources and would have been exposed to traditional styles. However, Zeshin's skill level was such that he could fluidly mix techniques, ideas, and stylistic options, thus painting part of a composition in one manner and including elements of another to add variety and dynamics unheard of at the time.

Museum comparison:
Compare a closely related lacquered wood tsuba by Zeshin in the Victoria and Albert Museum, accession number M.341-1911.

Literature comparison:
Compare a tsuba lacquered with a dragonfly by Shibata Zeshin in the Nezu Museum in Tokyo, illustrated in Nihon bijutsu 2, no. 93, p. 92, pl. no. 119. Compare a related tsuba by Shibata Zeshin decorated with a beetle, in the Nasser D. Khalili collection, illustrated in Meiji no takara, Treasures of Imperial Japan, no. 74.

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拍品估价:4,000 - 8,000 欧元 起拍价格:4,000 欧元  买家佣金: 35.00% 服务费:平台服务费为成交总金额(含佣金)的3%,最低200元

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