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A FINE AND RARE HUANGHUALI THREE-SHELF BOOKCASE WITH DRAWERS, JIAGE
纽约 北京时间
09月16日 晚上9点 开拍 / 09月14日 下午3点 截止委托
此拍品禁止/限制出入境
拍品描述
PROPERTY FROM THE DAVID S. AND NAYDA UTTERBERG COLLECTION OF CLASSICAL CHINESE FURNITURE A FINE AND RARE HUANGHUALI THREE-SHELF BOOKCASE WITH DRAWERS, JIAGE 17th century Of upright rectangular form, with slender members of square section and concave surface, mitered and tenoned into three shelves with single-board, flush floating panels supported by two dovetailed transverse stretchers hidden tenoned into the long rails, the center shelf suspending three drawers with huanghuali lining fitted with rectangular white brass pulls on quatrefoil escutcheons, the lower shelf with simple shaped eared aprons. 75 1/4 x 43 3/4 x 16 3/8in (191.3 x 111.2 x 41.6cm) Footnotes 十七世紀 黃花梨三層全敞帶屜架格 Provenance: Grace Wu Bruce Co. Ltd., Hong Kong, 18 September 1991 Published: Handler, Sarah. "Outstanding Pieces in Private Rooms: Chinese Classical Furniture in New American Collections." Orientations vol. 24, no. 1, January 1993, pp. 166-73; reprinted in Chinese Furniture: Selected Articles from Orientations 1984-1999. Hong Kong: Orientations Magazine Ltd., 1999, fig. 5, p. 168. (Fig.1) Bruce, Grace Wu. Images of Asia: Chinese Classical Furniture. Hong Kong: Oxford University Press, 1995, no. 19. (Fig.2) Bruce, Grace Wu, Two Decades of Ming Furniture. Beijing: The Forbidden City Publishing House, 2010, p. 194 (Fig.3) 來源: 香港嘉木堂,1991年9月18日 出版: 莎拉·韓蕙(Sarah Handler)著,《私人藏珍:新晉美國收藏中的中國古典家具》(Outstanding Pieces in Private Rooms: Chinese Classical Furniture in New American Collections ),收錄於《美成在久》(Orientations)1993年1月刊,頁166-73;重刊於《中國家具:美成在久雜誌1984-1999年文選合訂本》(Chinese Furniture: Selected Articles from Orientations 1984-1999),香港,1999年,插圖5,頁168(圖1) 伍嘉恩著,《亞洲印象:中國古典家具》(Images of Asia: Chinese Classical Furniture),香港:牛津大學出版社,1995年,圖錄編號19(圖2) 伍嘉恩著,《明式家具二十年經眼錄》,北京:紫禁城出版社,2010年,頁194 (圖3) This bookcase develops from a classic form illustrated in Wang Shixiang, Connoisseurship of Chinese Furniture: Ming and Early Qing Dynasties, Chicago, 1990, Vol. II, plate D3, p. 140, featuring a set of two drawers suspended beneath the second shelf and lacking galleries at the sides and back. This bookcase was previously in the collection of Chen Mengjia 陳夢家 (1911-1966) and his wife Zhao Luorui 趙蘿蕤 (1912-1998) and is currently in the collection of the Shanghai Museum. (Fig.4) The present bookcase could be classified as an open shelf stand but can serve both purposes. It is more common to find bookcases with two drawers under the second shelf, but the present lot features a three-drawer unit, which is wider in size. As noted by Grace Wu Bruce in Two Decades of Ming Furniture (p. 194), the present lot is one of the largest extant bookcases crafted from precious hardwood. She argued that bookcases featuring square-section members and an open design, whether or not they include galleries and drawers, typify Ming style. (ibid., p. 196) The simple and elegantly outlined drawers provide both storage and support for the middle tier, and they are ideally positioned at chest height for ease of use. The open design embraces an aesthetic of austerity while ensuring that volumes or objects placed on the shelves are easily accessible from either side. This feature is particularly advantageous when the bookcases are arranged in rows to serve as space dividers in a studio. As depicted in the woodblock illustration of Zou Saizhen 鄒賽貞 (a. late 15th century)'s studio in Lie Nü Zhuan 列女傳 (Biographies of Exemplary Women), completed during the Wanli period (1573-1620) (Fig.5), and the studio of Wang Shimin 王時敏 (1592-1680) as portrayed in his portrait by Gu Jianlong 顧見龍 (1606-1687) at the Minneapolis Institute of Art (Fig.6). Traditional Chinese books, typically stored in rectangular, blue-clothed cases, are neatly stacked on the shelves with the short ends facing outward. Additionally, the four-shelf bookcase delineated in the eleventh leaf "Weilu Bogu" 圍爐博古 (Appreciating Antiques by a Brazier) of Chen Mei 陳枚 (c. 1694-1745)'s album Yue Man Qingyou 月曼清遊 (Palace Leisures) (Fig.7) in the Palace Museum, Beijing, positioned beside a daybed, serves dual purposes; it is used for storing books and for display scholar's objects, such as an ink stone and a scroll pot. Due to the delicate design of bookcase featuring slim frame members, few of them have survived. The present lot is undoubtedly a remarkable extant example epitomizing the eternal beauty of the Ming-style furniture. For similar examples, see Sarah Handler's illuminating article, "Cabinets and Shelves Containing All Things in China," in Journal of the Classical Chinese Furniture Society, vol. 4, no.1, Winter 1993, Fig. 32, p. 27, for a three-shelf bookcase with an open design and two sets of triple drawers. Its slim square-section members also feature a concave surface, as seen in the present lot. This bookcase is currently in the collection of Mr. Chi-te Chen 陳啟德 from Taipei, having been acquired from Grace Wu Bruce. A slightly smaller three-shelf bookcase with three drawers, previously in the collection of Mr. and Mrs. Robert Piccus, is illustrated in Journal of the Classical Chinese Furniture Society vol. 2, no. 4 (Autumn 1992), page 22, Fig. 27. A larger version of the same design, now in a private collection in Shenzhen, Guangdong Province, is documented in Grace Wu Bruce, Two Decades of Ming Furniture, p. 197. See also Dr. Chu-Pak Lau, Classical Chinese Huanghuali furniture from the Haven Collection (Hong Kong: University Museum and Art Gallery, The University of Hong Kong, 2016), no. 58, pp.244-245, for one designed with a gallery on the upper two shelves and stretchers below the aprons, and another crafted from tielimu, no. 57 p. 242-243. A four-shelf bookcase with ebony galleries is included in the collection of The Minneapolis Institute of Arts, see Robert D. Jacobsen and Nicholas Grindley, Classical Chinese Furniture in the Minneapolis Institute of Arts (Minneapolis: the Minneapolis Institute of Arts, 1999), no. 49, pp. 142-3 (Fig.8). A comparable three-shelf open-design huanghuali bookcase from The Mary and Cheney Cowles Collection was sold in this room on 20 March 2023, lot 93. Lot Symbols W Y For further information about this lot please visit the lot listing

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拍品估价:200,000 - 300,000 美元 起拍价格:200,000 美元  买家佣金:
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